My feet are often purple. Poor circulation runs in my family. One particularly bad winter I got chilblains! I didn’t even know what they were. Kevin googled “swollen, itchy toes” and we discovered that I had more in common with those living at the turn of the century than originally suspected.
Recently, Kevin listened to a Gurdjieff lecture. An audience member posed a particularly combative question to Gurdjieff. Gurdjieff roared back, “where are your feet?” The audience member continued contesting. Gurdjieff asked again, “where are your feet?” The audience member heard, slowed, felt. The tenor of their exchange shifted radically to one of more mutual understanding.
Kevin relayed the exchange to me. I tried to feel my feet. I’ve taught yoga for more than 7 years and I’m not sure that I’ve felt them even in that time. Even teaching body awareness most days of the week.
And I am comparatively in my body. And my practice has landed me more deeply in my body than I lived prior.
And I rarely feel my feet.
So I now continuously ask myself, “where are your feet?” And the funny thing is that I start to feel sensation almost like pins and needles after the limb having fallen asleep. My attention is acting shifting circulation.
In yoga there’s a saying that “prana flows where citta goes” meaning energy flows in the direction of your attention. I’ve seen this again and again. When Kevin and I pay attention to each other, there is a flourishing in our marriage. When we first adopted our rescue cats they were a bit haggard— they’d been through a lot! As we attended to their safety, comfort, and fun they blossomed. Their eyes grew brighter, their fur shiny, and their sweet, authentic selves emerged. When I attend to my aloe plants the stems plump up and the green skin shines. I neglected my house for awhile and it showed. Now that I’m putting more care in painting a wall here, or replacing this appliance, or adding or removing a decoration there’s a different buzz in the walls and feeling in the air. Energy flows.
Feet are an interesting place to numb. It means that it’s also hard to feel where you are on the earth. I’m paying attention to all of my shoes— which shoes more contain me and which shoes offer a bit more breath.
Not feeling feet means less balance. Less ability to spread toes and nuance ones stance.
This energy flow is an overall inhabitation. Where I am that I am not? How often am I at home but mentally at work? How often am I in a conversation but actually talking to my high school teacher? How often for any of us?
We know presence is a practice. That understanding unfolds.
I wonder, too, at the fictions that convince us that presence is taxing. What feels simpler about checking out than staying in? What fear underpins numbness?
My body is proving a very trustworthy gauge. It’s a compass. It’s a locator. It’s a vessel. It’s a world unto itself.
I heard an interview recently where a young writer shared her frustration at working in a cubicle. She wanted to be “free” to write and her pragmatic 9-5 was other than her passion. In the course of the conversation her mantra emerged: “this is where the action is.”
I remembered all the times my life seemed other than where it was. The bored hours waiting tables, itching to get on the road. High school droning endlessly on until my life could begin. All the moments when I felt on the outside of my own life.
When I didn’t feel my feet.
Prana flows where citta goes.
I’m very invested in my life.
It’s amazing.
I am feeding it. I am paying attention to it. I am feeling it. I am grateful for it. It is where the action is.
I am in my feet.
Friday, October 20, 2017
Saturday, October 14, 2017
Patron Saints of Lisbon
Upon landing in Lisbon, I wrote this and posted it on social media:
"All Hail the Lisbon Grannies! They are converting me to the Church of the Granny-Who-Gives-No-Fs. Their heads hang out open windows. They stare. They walk reeaaal slow on the cobblestones and you need to just match their pace. The old men try to please them. The babies climb on their laps. The Lisbon Grannies MESS with those in their midst. Ask Granny for directions at the bus stop and she waves you off-- she does not wish to be bothered.
They sell you shot glasses of moonshine on the street corner assuring, 'the alcohol is not too much!'
The keepers of secrets. The secret fun.
These Grannies are everywhere reminding me how invisible elder women are in some parts of the world. The Lisbon Grannies are alive and do not care. A reminder that the play and the mischief can keep you in your power. That the Grannies create the magic."
The visibility of old women in Lisbon reminded me of how invisible older women are in most of the world. Also, how isolated they often are. The Lisbon grannies ran in packs. They met one another on the street and blocked the corner while they gabbed. They spread table cloths for one another's side hustles in the tourist district. They gave SEVERE side eye that caused you to clutch your pearls. They smoked cigarettes and used canes on tiled sidewalks that were basically vertical on Lisbon's steep hills. The grannies ran the streets.
The grannies also didn't seem overly preoccupied with the tropes of old womanhood that I know at home. They weren't particularly affectionate to babies. They didn't seem all that interested in knitting. In other words, they seemed like actual people. Not charicatures.
When did we make old women ideas instead of people?
They gave me such hope that I, as a woman, can keep living. That I, as a woman, can stay deep in my magic and my mischief at every stage of my life. That I get to be a little girl, a young woman, a full woman, and an old crone and that each stage doesn't have to be predetermined. I can decide what it means. Maybe I'll decide to be an old burlesque dancer. Why not?
Maybe it's the old world charm of Lisbon that preserved these women's humanity. Maybe they made some type of pact. I don't know what it is. At one point Kevin asked, "where are all the old men?" We went into a little cafe selling pastries, coffee, and liquor while a soccer game played on a TV. They were all there.
They gathered around the table, talking shit, and gratefully accepting round after round of espresso from the young waitresses. They keep living too.
"All Hail the Lisbon Grannies! They are converting me to the Church of the Granny-Who-Gives-No-Fs. Their heads hang out open windows. They stare. They walk reeaaal slow on the cobblestones and you need to just match their pace. The old men try to please them. The babies climb on their laps. The Lisbon Grannies MESS with those in their midst. Ask Granny for directions at the bus stop and she waves you off-- she does not wish to be bothered.
They sell you shot glasses of moonshine on the street corner assuring, 'the alcohol is not too much!'
The keepers of secrets. The secret fun.
These Grannies are everywhere reminding me how invisible elder women are in some parts of the world. The Lisbon Grannies are alive and do not care. A reminder that the play and the mischief can keep you in your power. That the Grannies create the magic."
The visibility of old women in Lisbon reminded me of how invisible older women are in most of the world. Also, how isolated they often are. The Lisbon grannies ran in packs. They met one another on the street and blocked the corner while they gabbed. They spread table cloths for one another's side hustles in the tourist district. They gave SEVERE side eye that caused you to clutch your pearls. They smoked cigarettes and used canes on tiled sidewalks that were basically vertical on Lisbon's steep hills. The grannies ran the streets.
The grannies also didn't seem overly preoccupied with the tropes of old womanhood that I know at home. They weren't particularly affectionate to babies. They didn't seem all that interested in knitting. In other words, they seemed like actual people. Not charicatures.
When did we make old women ideas instead of people?
They gave me such hope that I, as a woman, can keep living. That I, as a woman, can stay deep in my magic and my mischief at every stage of my life. That I get to be a little girl, a young woman, a full woman, and an old crone and that each stage doesn't have to be predetermined. I can decide what it means. Maybe I'll decide to be an old burlesque dancer. Why not?
Maybe it's the old world charm of Lisbon that preserved these women's humanity. Maybe they made some type of pact. I don't know what it is. At one point Kevin asked, "where are all the old men?" We went into a little cafe selling pastries, coffee, and liquor while a soccer game played on a TV. They were all there.
They gathered around the table, talking shit, and gratefully accepting round after round of espresso from the young waitresses. They keep living too.
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